Star Wars 2015 #29 eBook Jason Aaron Salvador Larroca Stuart Immonen
Download As PDF : Star Wars 2015 #29 eBook Jason Aaron Salvador Larroca Stuart Immonen 
A problem, Yoda has. A big problem.Strong with the stonepower, this problem is. But judge it not by its size, will he.
Star Wars 2015 #29 eBook Jason Aaron Salvador Larroca Stuart Immonen
This is an absolutely SUPERB single issue of the Jason Aaron penned and Salvador Larroca rendered Star Wars (2015-) from Marvel Comics (and Disney, of course). The timelessly mythic story of this multi-issue arc is masterfully interwoven into the Star Wars mythos, the art is yet again, totally and completely without peer in the comic book industry - and that's just for starters. For this story, after all, is only part IV of book IV. And thank the Force for that!Not only do readers get a thoughtful and surprisingly intimate glimpse into just one of the many layers of truly amazing stories that can seemingly endlessly be pealed away from the always fruitful, pop culture-mythic onion that George Lucas created, but in this particular case, we get to see the Jedi Master Yoda at his very best, in a story that may very well be the very finest that writer Aaron has yet to contribute to the franchise.
Now mind you, I'm not one to write reviews that are long on spoilers (in most cases), so let's just say that this is one very BIG chapter in the life of a certain physically diminutive-looking, little, green Jedi master, that one really should never ever judge by his size alone. Suffice it to say then, that in the story, Master Yoda has traveled to a mysterious, barren world where he climbs a massive, crystal blue mountain and interacts with a tribe of surprisingly young, bedraggled warriors who may certainly seem reminiscent of the wayward, warlike children shipwrecked on William Golding's remote island in his classic, "Lord of the Flies," but believe me, there's quite a lot more to this tale than even just that.
In fact, having read many of the disparaging reviews of the previous issues of this story arc, I am now very happy to report that this chapter of Aaron's latest tale (though, sure, it certainly did seem to get off to a somewhat slow and steady start), has obviously been remarkably well plotted from the very beginning. This therefore, is writer Jason Aaron at the very tip top of his game. And thankfully, in this case, there's no calling the rebels of the Star Wars universe "terrorists."
Oh sure, of course I get the misbegotten political subtext of having Imperials catcall their rebel foes "terrorists," but I really don't believe that any of that has EVER belonged in the Star Wars universe - despite how shamelessly mainstream it may in fact seem to some. Sorry, Mr. Aaron, but if you really want to get political while spinning your sci-fi/fantasy oriented stories, try writing Star TREK, and do leave Star WARS out of it. Please. After all, quite a few of us Star Wars fans have actually been around since the very beginning of the franchise, you know. Yes, since way, way back when it all got started in that misty, now long gone, but not forgotten, glorious summer of 1977. And yes, yes, yes, long, long before the current, post 911, hopelessly politically polarized generation of young, snot nosed upstarts began retro-styling Luke Skywalker as a "radicalized" youth, fighting an evil global empire.
Sorry, new young kids, but do you actually believe that any of that divisive political stuff really has any sort of place (sub-textually, or otherwise) in the myth inspired Star Wars universe? Really? Okay, fine. Whatever floats your politically propelled little boat, I suppose, but kindly remember, if you will, that the very much "escapist" Star Wars franchise that was actually birthed in the post-Vietnam War environment of the late 1970s, got along exceedingly well without all that bloated, self righteous hokum for literally DECADES before 911 was even a faint glimmer in the eye of Osama bin Laden. So... more than enough said on THAT matter. Hopefully, anyway.
But then, this really is supposed to be a very, very positive review of Star Wars (2015-) issue #29, isn't it? Mostly because, as I've already indicated above, the story of this particular installment of the series is actually delightfully on point when it comes to the Star Wars universe. Even better, is the fact that the art by Salvador Larroca and colorist Edgar Delagado is so darned gorgeous, it almost looks good enough to eat! And here, instead of snippets of lame, thinly disguised political commentary, we have a story of epic and clearly quite mythic proportions, very much befitting the grand Star Wars narrative. THIS time, my fellow friends of the Force faith, Jason Aaron and company have gotten it all down with absolute precision and stunningly creative aplomb. THIS then, is clearly, exactly what George Lucas was going for when he originally created this whole, big, beautiful, intergalactic shebang, and I for one, am so very glad that this is far from the final issue of the story!
So whatever you do, don't give up on amazingly gifted writer Jason Aaron or Marvel's ever amazing Star Wars comic. Just when you (or rather some of the meanest, most off the cuff reviewers) thought this book was heading off to parts unknown (or certainly unfamiliar), we are in fact treated to this wonderfully imaginative and extremely cleverly told tale that not only conveniently takes place between the events seen in Star Wars: A New Hope and The Empire Strikes Back, but it also ingeniously incorporates characters, situations and locales from other periods in the history of Star Wars lore. Oh, and we've even got Salvador Larroca, too! Who could possibly EVER say enough good about the man's painstakingly detailed artwork? Good stuff all around here, folks. So, as cliche as it may sound, and as other reviewers have said perhaps far too often, far too many times before, "The Force is strong with this one." And it really, really is. Believe it.
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Star Wars 2015 #29 eBook Jason Aaron Salvador Larroca Stuart Immonen Reviews
This is an absolutely SUPERB single issue of the Jason Aaron penned and Salvador Larroca rendered Star Wars (2015-) from Marvel Comics (and Disney, of course). The timelessly mythic story of this multi-issue arc is masterfully interwoven into the Star Wars mythos, the art is yet again, totally and completely without peer in the comic book industry - and that's just for starters. For this story, after all, is only part IV of book IV. And thank the Force for that!
Not only do readers get a thoughtful and surprisingly intimate glimpse into just one of the many layers of truly amazing stories that can seemingly endlessly be pealed away from the always fruitful, pop culture-mythic onion that George Lucas created, but in this particular case, we get to see the Jedi Master Yoda at his very best, in a story that may very well be the very finest that writer Aaron has yet to contribute to the franchise.
Now mind you, I'm not one to write reviews that are long on spoilers (in most cases), so let's just say that this is one very BIG chapter in the life of a certain physically diminutive-looking, little, green Jedi master, that one really should never ever judge by his size alone. Suffice it to say then, that in the story, Master Yoda has traveled to a mysterious, barren world where he climbs a massive, crystal blue mountain and interacts with a tribe of surprisingly young, bedraggled warriors who may certainly seem reminiscent of the wayward, warlike children shipwrecked on William Golding's remote island in his classic, "Lord of the Flies," but believe me, there's quite a lot more to this tale than even just that.
In fact, having read many of the disparaging reviews of the previous issues of this story arc, I am now very happy to report that this chapter of Aaron's latest tale (though, sure, it certainly did seem to get off to a somewhat slow and steady start), has obviously been remarkably well plotted from the very beginning. This therefore, is writer Jason Aaron at the very tip top of his game. And thankfully, in this case, there's no calling the rebels of the Star Wars universe "terrorists."
Oh sure, of course I get the misbegotten political subtext of having Imperials catcall their rebel foes "terrorists," but I really don't believe that any of that has EVER belonged in the Star Wars universe - despite how shamelessly mainstream it may in fact seem to some. Sorry, Mr. Aaron, but if you really want to get political while spinning your sci-fi/fantasy oriented stories, try writing Star TREK, and do leave Star WARS out of it. Please. After all, quite a few of us Star Wars fans have actually been around since the very beginning of the franchise, you know. Yes, since way, way back when it all got started in that misty, now long gone, but not forgotten, glorious summer of 1977. And yes, yes, yes, long, long before the current, post 911, hopelessly politically polarized generation of young, snot nosed upstarts began retro-styling Luke Skywalker as a "radicalized" youth, fighting an evil global empire.
Sorry, new young kids, but do you actually believe that any of that divisive political stuff really has any sort of place (sub-textually, or otherwise) in the myth inspired Star Wars universe? Really? Okay, fine. Whatever floats your politically propelled little boat, I suppose, but kindly remember, if you will, that the very much "escapist" Star Wars franchise that was actually birthed in the post-Vietnam War environment of the late 1970s, got along exceedingly well without all that bloated, self righteous hokum for literally DECADES before 911 was even a faint glimmer in the eye of Osama bin Laden. So... more than enough said on THAT matter. Hopefully, anyway.
But then, this really is supposed to be a very, very positive review of Star Wars (2015-) issue #29, isn't it? Mostly because, as I've already indicated above, the story of this particular installment of the series is actually delightfully on point when it comes to the Star Wars universe. Even better, is the fact that the art by Salvador Larroca and colorist Edgar Delagado is so darned gorgeous, it almost looks good enough to eat! And here, instead of snippets of lame, thinly disguised political commentary, we have a story of epic and clearly quite mythic proportions, very much befitting the grand Star Wars narrative. THIS time, my fellow friends of the Force faith, Jason Aaron and company have gotten it all down with absolute precision and stunningly creative aplomb. THIS then, is clearly, exactly what George Lucas was going for when he originally created this whole, big, beautiful, intergalactic shebang, and I for one, am so very glad that this is far from the final issue of the story!
So whatever you do, don't give up on amazingly gifted writer Jason Aaron or Marvel's ever amazing Star Wars comic. Just when you (or rather some of the meanest, most off the cuff reviewers) thought this book was heading off to parts unknown (or certainly unfamiliar), we are in fact treated to this wonderfully imaginative and extremely cleverly told tale that not only conveniently takes place between the events seen in Star Wars A New Hope and The Empire Strikes Back, but it also ingeniously incorporates characters, situations and locales from other periods in the history of Star Wars lore. Oh, and we've even got Salvador Larroca, too! Who could possibly EVER say enough good about the man's painstakingly detailed artwork? Good stuff all around here, folks. So, as cliche as it may sound, and as other reviewers have said perhaps far too often, far too many times before, "The Force is strong with this one." And it really, really is. Believe it.
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